More on painting with Jerry Fresia

In a short two-minute YouTube video that I think you will enjoy, On Painting, painter Jerry Fresia talks a little more about how he paints.

"When I look at something," Fresia says, "I do not see houses or boats or water. I see color – the colors of my palette. I see the world through those colors. I squint to simplify, and look at relationships...."

It's a concept that can be a little difficult to understand when you are first beginning painting. As the camera pans the surface of a painterly image of a boat, he tells us, "This is not a boat… it's purple and pink and green and blue."

If this is new to you, try it out. Look at something nearby – can you see it as color and shape, instead of as a specific object? Try it a few times, looking at different things. If you're having a hard time with it, try looking at something upside down. Do you suddenly see colors you didn't notice before? This is a critical skill for a painter to develop.

He is very clear about the necessity of suspending judgement as you paint. If that critical voice in your head starts talking to you, send it out for coffee – it won't help you create. As he says, "This is not about results – it's not about objects. It's about brush strokes, the human touch of paint upon canvas."

Jerry Fresia's other YouTube videos are well worth looking at, too. When you view this video, you will see them listed under More From FresiaStudios. His home and studio, and their Lake Como setting, are incredibly beautiful. He teaches workshops there, too. You can find out more about him, his paintings, his studio, and his workshops at www.fresia.com.

Jerry Fresia's Painting Class Video

Painter Jerry Fresia, who moved from the San Francisco Bay Area to a wonderful castle on Italy's Lake Como, demonstrates his painting process in the YouTube video A Painting Class on Lake Como, Italy. It's a great time-lapse glimpse of how a painting is constructed.

He begins by sketching his composition in charcoal on the canvas, then rubs it out, and paints in the basic composition. Notice how the composition is clearly indicated, but that he does not need to draw specific detail. This stage is all about making a beautiful structure upon which everything else will depend.

He follows with an underpainting (he is painting in oils). Notice the gorgeous colors he is mixing, and the subtlety of shadowed areas that will influence what comes on top of it.

After painting some of the lines in again, he comes back in with color, and brings the painting to completion. This is the point at which he gets more specific about colors and smaller details – not before. As you watch the video, notice his brushwork, too, and how each brushstroke is created by the movement of his whole arm.

Be sure to listen to his explanation of his painting process as you watch the video – he teaches clearly and well.

You can find all of Jerry Fresia's videos by going to www.YouTube.com and typing in his user name, FresiaStudios. He teaches workshops at his beautiful studio – and you can learn more about his paintings, his studio, and his workshops at www.fresia.com.

Blocking in the composition of a painting

Every painting begins by blocking in the composition. There may be as many variations of how to do this as there are painters, but we still share the basics.

In class, we talked about drawing in the lines of the composition, either with paint, or water-soluble fabric pencils or fabric markers (whose lines will dissolve when we come along with water and acrylic paint). Then you begin blocking in the big shapes of your painting. It's all very rough at this stage - you don't want to even think about the details yet.

Painter Jerry Fresia, originally from San Francisco but now living in Lake Como, Italy, has posted a great example of how to block in a painting in "A Painting Class on Lake Como, Italy." While he is painting in oils rather than acrylics, and begins drawing his composition with charcoal initially (vine charcoal is often used by oil painters for this), his process is basically the same one I demonstrate in class.

Notice how he also chooses to scumble in his colors initially (not as necessary for acrylic painters as oil painters) and how he works from darks to lights. He breaks down his painting process into different stages of development that are helpful to see. And while you're watching, enjoy the views of Lake Como and the beautiful castle he lives in!